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Aleksander Gierymski
Sand miners
Date 1887(1887)
Medium Oil on canvas
Dimensions 49.5 x 66.5 cm (19.5 x 26.2 in)
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Aleksander Gierymski
Jewish woman selling fruit
1880(1880)
Medium Oil on canvas
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Aleksander Gierymski
Insurgent's patrol - picket
1872(1872)
Medium oil on canvas
Dimensions 60 x 108 cm (23.6 x 42.5 in)
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Aleksander Gierymski
Solec harbour
1883(1883)
Medium oil on canvas
Dimensions 19 x 27.5 cm (7.5 x 10.8 in)
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Aleksander Gierymski
Bridge in Munich
c. 1890(1890)
Medium oil on canvas
Dimensions 80 x 61 cm (31.5 x 24 in)
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Aleksander Gierymski
Amalfi Cathedral
1897-1898
Medium oil on canvas
Dimensions 84 x 54 cm (33.1 x 21.3 in)
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Aleksander Gierymski
Jewish woman selling oranges
1880-1881
Medium oil on canvas
Dimensions 66 x 55 cm (26 x 21.7 in)
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Aleksander Gierymski
Italian Landscape with Cypresses
Date 1900(1900)
Medium oil on canvas
Dimensions 59.5 x 72.5 cm (23.4 x 28.5 in
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Aleksander Gierymski
Peasant's coffin.
1894-1895
Medium oil on canvas
Dimensions 141 x 195 cm (55.5 x 76.8 in)
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| Aleksander Gierymski
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Warsaw 1850-1901 Rome, Brother of Maks Gierymski. He studied (1867) at the Warsaw Drawing Class, then (1868-73) at the Akademie der Bildenden Kenste in Munich under Georg Hiltensperger (1806-90) and Alexander Strehuber (1814-82), and later under Karl Theodor von Piloty. While in Munich he contributed illustrations to Polish, German and Austrian magazines. On a visit to Venice and Verona in 1871 he was especially impressed by the work of 15th-century Venetian artists; this new enthusiasm was reflected in his prize-winning painting of a subject set by the Munich Akademie, a scene from Shakespeare's Merchant of Venice (1872; destr., see Starzynski, pl. 4). After accompanying his dying brother Maks to various spa towns and other locations, he settled in Rome in mid-1874. Two genre scenes from this period, Roman Tavern and A Game of Mora (both 1874; Warsaw, N. Mus.), show the influence of Dutch painting. Gierymski remained in Italy until 1879, mostly resident in Rome.
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